Tuesday, 10 June 2014

Colours of Yellowed Letters

And as it happens with distant memories
you begin to question their existence
always ending up with “maybe,
I just made it up”
But those yellowed letters are a story
I am not creative enough to write.
Where did those words come from,
I think now
Was it the grey December and
shivers it sent through my body, that
spark of romanticism that bursts
out of nothingness
or the whiteness of the paper I laid
myself bare on, screaming out rainbow
stories I can no longer make up
the end of,
or perhaps it was just that blues-
stricken face of yours I conjured up
to believe that emptiness has a colour
as mine,
to answer your “So, tell me about
your dreams” for purposes other
than storytelling itself, until the cigarette

stubbed

It is on nights as black as these
sweat-soaked body meek, that
feverish yellow appears shiny 
which makes me wonder, maybe
I just made it up.  

Monday, 2 June 2014

Patterns

A tear trickles down her eye, a pair which seem tired not of age or overwork, but of the latent sadness of life itself, a clockwork of dissatisfaction, as she had read somewhere. It crawls down her cheek towards the nostril, as her face lay tilted, when she snorts it in. There is something peculiar about consuming your own tears. She considered it as a kind of solidarity with herself, as the salty tear which was produced in the fluidity of her own eyes, ultimately doesn’t fall on the keys of the laptop, or on a page of the book she had been reading at the time, but goes inside her own body.

I see her going through the whole process, over and over again.

In a moment, she breaks the pattern and changes the song of the same band that had been playing for the last twenty minutes now.

“Associations. Fucking associations! They can make you fall in and out of love with a piece of music.”

She doesn’t really mean it, not with the same intensity. Although, she has a certain sense of repellence brewing up inside her, when she listens to that same piece that had made her appreciate its introducer, and feel appreciated, in turn. Somehow, it made her feel like she was good enough to listen to that kind of music; like she deserved it. Now it can’t make her get up in the morning, so she doesn’t. It loses its “feathers of hope” and rather makes her cringe, leaving her in search of something else.

I see her naivety, while she is subconsciously thinking of an Emily Dickinson metaphor for wording her mind. I note the helplessness in expression, but I can’t do anything to make that better. Does she even want to make it better? Expression is a twisted thing; I get that from a lot of those human minds. Once you master that art, there’s nothing left to aspire for. You reach the pinnacle, and then you are left stranded in a lonely place with others only feeding on your creation. Perhaps, she knew the truth too closely, that her creation is only going to be an inspiration, at the end of the day. Why should she even try? Perhaps, she wanted to be the one feeding herself, rather than being the bread and wine for others. I can only speculate.

“Sometimes, playing Ostrich is delightful. Putting out the lights of the room, playing the music, and becoming averse to the world out there. Like the mosquitoes inside. I bet these silly creatures wish for their lives, that sucking the blood of a few of us would keep them content, fulfilled, knowing all along that they’d have to get out in the air sometime, or they’ll die of inaction.”

I know I am drawn to her with an unusual force, but like a rational observer, I take note of her examining the strands of her hair, one by one. The irregularity in the texture of each strand irks her, not like something unwanted, but rather like the crack in the middle of a wall. She can’t understand the reason behind it. And she craves for some kind of order and regularity, over her hair at the very least, since nothing else was in her control. Or so she thought, which would be in keeping with my previous observation of her naivety.

She had nothing else to offer that night, since I had carefully followed her mind. So, I left.

***

She read this account that I officially submitted the next morning, which left her generally satisfied. It proved to be ‘real’ enough for her with the part which detailed her naivety. Too much positivity leaves them in doubt of the authenticity of the observation. She got what she wanted to know, like so many before her.  

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